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Modern Sensual Bronze Sculpture of a Woman from Brazil 'Sensual Woman III' Item ID: 2669903984
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"Atop a sleek, rectangular base of black granite, a woman curls up from a prone position, folding her legs as she arches her back and raises her arms above her head. Brazilian artist Jaqueline Cavalcanti realizes this impressive sculpture in cast bronze, its metallic surface accentuated by an oxidized finish."
- 5.42 lbs
- 6 inches H x 6.3 inches W x 3.9 inches D
- Bronze
- granite base
- May present miniscule pores from the crafting process
- Signed by the artist
Made in Brazil
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"I believe that the gift of sculpting is a talent that showed itself as a game during my childhood — it was totally subconscious. Only after I was married and expecting my first son, about 1988, I began to hear an internal call toward art. I felt something lacking and my hands gave constant signs of restlessness. Advised by a friend, I took a few sculpture classes and this led me on a long, inner journey.
"Forms appeared in clay without any forethought, and the subconscious was my main source. With the aid of teachers and with a personal commitment to perfecting my artistic expression, my work began to develop and gain ground. My rational side impelled me to look for technical and theoretical information, while my emotional side provided content for the creation of new pieces. This was a great internal discovery that brought me enormous satisfaction and a sense of accomplishment.
"The first material that I tried was bronze, a dense and strong material that allowed me to create long, linear forms. Later, I started to cast in resin, a lighter material that permitted more robust forms and also offered transparency in the pieces. It was after discovering resin that I launched a line of utilitarian objects that maintain the sculpture concept. There I could experiment with a more abstract line without entirely losing the figurative reference.
"Among the themes in my work, woman is one of the most appealing. The feminine body allows countless aesthetic possibilities even when the artist deforms it, as with my elongated figures that maintain their grace and harmony.
"I believe that by exhibiting my work to you, an immeasurable number of people can come to know it and I can expand my borders beyond Brazil."
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"I believe that the gift of sculpting is a talent that showed itself as a game during my childhood — it was totally subconscious. Only after I was married and expecting my first son, about 1988, I began to hear an internal call toward art. I felt something lacking and my hands gave constant signs of restlessness. Advised by a friend, I took a few sculpture classes and this led me on a long, inner journey.
"Forms appeared in clay without any forethought, and the subconscious was my main source. With the aid of teachers and with a personal commitment to perfecting my artistic expression, my work began to develop and gain ground. My rational side impelled me to look for technical and theoretical information, while my emotional side provided content for the creation of new pieces. This was a great internal discovery that brought me enormous satisfaction and a sense of accomplishment.
"The first material that I tried was bronze, a dense and strong material that allowed me to create long, linear forms. Later, I started to cast in resin, a lighter material that permitted more robust forms and also offered transparency in the pieces. It was after discovering resin that I launched a line of utilitarian objects that maintain the sculpture concept. There I could experiment with a more abstract line without entirely losing the figurative reference.
"Among the themes in my work, woman is one of the most appealing. The feminine body allows countless aesthetic possibilities even when the artist deforms it, as with my elongated figures that maintain their grace and harmony.
"I believe that by exhibiting my work to you, an immeasurable number of people can come to know it and I can expand my borders beyond Brazil."
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Jaqueline Cavalcanti bronze sculptures
"I believe that the gift of sculpting is a talent that showed itself as a game during my childhood — it was totally subconscious. Only after I was married and expecting my first son, about 1988, I began to hear an internal call toward art. I felt something lacking and my hands gave constant signs of restlessness. Advised by a friend, I took a few sculpture classes and this led me on a long, inner journey.
"Forms appeared in clay without any forethought, and the subconscious was my main source. With the aid of teachers and with a personal commitment to perfecting my artistic expression, my work began to develop and gain ground. My rational side impelled me to look for technical and theoretical information, while my emotional side provided content for the creation of new pieces. This was a great internal discovery that brought me enormous satisfaction and a sense of accomplishment.
"The first material that I tried was bronze, a dense and strong material that allowed me to create long, linear forms. Later, I started to cast in resin, a lighter material that permitted more robust forms and also offered transparency in the pieces. It was after discovering resin that I launched a line of utilitarian objects that maintain the sculpture concept. There I could experiment with a more abstract line without entirely losing the figurative reference.
"Among the themes in my work, woman is one of the most appealing. The feminine body allows countless aesthetic possibilities even when the artist deforms it, as with my elongated figures that maintain their grace and harmony.
"I believe that by exhibiting my work to you, an immeasurable number of people can come to know it and I can expand my borders beyond Brazil."
"Forms appeared in clay without any forethought, and the subconscious was my main source. With the aid of teachers and with a personal commitment to perfecting my artistic expression, my work began to develop and gain ground. My rational side impelled me to look for technical and theoretical information, while my emotional side provided content for the creation of new pieces. This was a great internal discovery that brought me enormous satisfaction and a sense of accomplishment.
"The first material that I tried was bronze, a dense and strong material that allowed me to create long, linear forms. Later, I started to cast in resin, a lighter material that permitted more robust forms and also offered transparency in the pieces. It was after discovering resin that I launched a line of utilitarian objects that maintain the sculpture concept. There I could experiment with a more abstract line without entirely losing the figurative reference.
"Among the themes in my work, woman is one of the most appealing. The feminine body allows countless aesthetic possibilities even when the artist deforms it, as with my elongated figures that maintain their grace and harmony.
"I believe that by exhibiting my work to you, an immeasurable number of people can come to know it and I can expand my borders beyond Brazil."

Brazil Artisan Empowerment Hub
Brazil is a land of diverse crafts — with an artistic heritage dating back more than 25,000 years. From ancient cave paintings to the region's exquisite pre-Columbian pottery; from African and Portuguese-influenced arts to vibrant surviving indigenous crafts, to the nation's passion for contemporary style — Brazil is awash with color and diversity.
Maker BadgeEmpowering Women
The Women's Empowerment badge is awarded to female artisans or artisan groups that are led by women.
Maker BadgePreserving Traditions
This artist uses traditional techniques handed down through the generations and/or creates culturally significant items, helping keep these traditions alive.
Maker BadgeProfound Impact
Every purchase from this artist has a profound impact on their livelihood and income.
Maker BadgeMicrocredit Financing
Jaqueline Cavalcanti has received 3 microcredit loans with 0% interest from Kiva and Novica, the first for $600 and the most recent for $550.
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