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World Peace Project Abstract Sculpture from Brazil 'No One Lets Go' Item ID: 2669903988
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"Inspired by Brazilian unity, Anamaria Vieira creates this fine art sculpture named 'No One Lets Go,' or Ninguem Solta a Mao de Ninguem in Portuguese. 'The sculpture symbolizes the desired and possible bond between the first, second and third worlds. Despite the religious, cultural and socioeconomic differences between peoples, this sculpture symbolizes a certain tendency to dissipate ties, but even so, it maintains a desire to maintain the ties necessary for peaceful coexistence between countries, that is, a bet on world peace.
'The sculpture represents a bond endowed with some tension, but harmonious, symbolizing the interconnection of nations in terms of their different political, social and cultural dimensions, thus expressing the desire to sustain world peace,' says Vieira. she crafts this sculpture from resin, depicting three abstract figures whose arms blend into one another. This sculpture is displayed atop a base of black resin."
- 4.74 lbs
- 8.8 inches H x 6.8 inches W x 6 inches D
- Resin
- Signed by the artist
Made in Brazil
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"I was born in the state of Minas Gerais, and my incursion in the fine arts goes back to my adolescence. I took drawing and painting classes, and began to experiment with sculpture in an autodidactic way around 1988. In 1992, I entered the faculty of fine arts in a Rio de Janeiro university. I had contact with other techniques, such as the woodcut, but I finished exclusively as a sculptor. The contact with great masters such as Jaime Sampaio, Helena Quintela and Mirian Garnier was fundamental for me to proceed with confidence in my career.
"Ever since, I have been participating in collective and individual exhibitions in Rio de Janeiro and throughout Brazil. In the 1990 Salão Nacional da Mulher, I was awarded a gold medal." In 200, she received a silver medal in the Fine Arts Sea Salon as well as a bronze medal in that same year.
Anamaria Vieira bronze sculptures
"I was born in the state of Minas Gerais, and my incursion in the fine arts goes back to my adolescence. I took drawing and painting classes, and began to experiment with sculpture in an autodidactic way around 1988. In 1992, I entered the faculty of fine arts in a Rio de Janeiro university. I had contact with other techniques, such as the woodcut, but I finished exclusively as a sculptor. The contact with great masters such as Jaime Sampaio, Helena Quintela and Mirian Garnier was fundamental for me to proceed with confidence in my career.
"Ever since, I have been participating in collective and individual exhibitions in Rio de Janeiro and throughout Brazil. In the 1990 Salão Nacional da Mulher, I was awarded a gold medal." In 200, she received a silver medal in the Fine Arts Sea Salon as well as a bronze medal in that same year.
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