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West African Batik Wall Art of Women Titled Debt Collectors 'Debt Collectors' Item ID: 2671803598
$177.99Selected variation not available
This is your own listing item.
"West African artisan Samuel Ashong's original batik artwork depicts a strong group of five women titled 'Debt Collectors.' Often in the marketplace, friends rely upon each other to help right any wrongs they've suffered. Ashong explains the power of these women who get their point across without speaking a word: 'The body language of the debt collectors is a clear indication to the debtor. They do not give any demand notice but the debt is paid in no time.' In warm tones of maize, tangerine and vermilion contrasted with chestnut brown and black accents, this batik art will be a vibrant addition to any room."
- 5.3 lb
- Mat: 26 inches W x 20 inches H,Artwork: 21.8 inches W x 16 inches H
- 0.64 lbs
- Mat: 26 inches W x 20 inches H
- Artwork: 21.8 inches W x 16 inches H
- 100% cotton
- cardboard passe partout
- Arrives unframed
- Handcrafted batik art--colors and pattern placement will vary
- Mat included
- Signed by the artist
Made in Ghana
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Currently I have developed my own techniques in batik production, which are labeled as "textile paintings." Reactive dyes and paraffin wax constitute the principal materials in the execution of these textile paintings. My aim was to use other materials apart from oil paints, gouache, acrylics etc., to achieve the same or better effects than would be derived in paintings. The results have been marvelous and my works could not be compared with other batiks that are seen world-wide.
"My themes are mainly of women, beach scenes and landscapes. I try to depict the daily activities of women in Africa when they get married - household chores, market life and caring for children and husbands - as the many parts of their daily responsibilities. This is the beginning of the fight for equality for the African woman.
"I have exhibited my works in the Ghanaian Contemporary Art Exhibition, IFA Gallery (Bonn, Germany, 1987), the World Y.W.C.A Art and Craft Exhibition (Arizona, 1989), the Ghanaian Contemporary Art Exhibition (Moscow, 1991) as well as throughout Ghana."
Ashong first paints his design onto cotton fabric with hot wax, covering the areas he does not wish to dye. When the fabric is crumpled into the dying solution, the wax cracks, creating an attractive network of fine lines. The wax is removed and the process is repeated for each color utilized.
Samuel Ashong batik wall art
Currently I have developed my own techniques in batik production, which are labeled as "textile paintings." Reactive dyes and paraffin wax constitute the principal materials in the execution of these textile paintings. My aim was to use other materials apart from oil paints, gouache, acrylics etc., to achieve the same or better effects than would be derived in paintings. The results have been marvelous and my works could not be compared with other batiks that are seen world-wide.
"My themes are mainly of women, beach scenes and landscapes. I try to depict the daily activities of women in Africa when they get married - household chores, market life and caring for children and husbands - as the many parts of their daily responsibilities. This is the beginning of the fight for equality for the African woman.
"I have exhibited my works in the Ghanaian Contemporary Art Exhibition, IFA Gallery (Bonn, Germany, 1987), the World Y.W.C.A Art and Craft Exhibition (Arizona, 1989), the Ghanaian Contemporary Art Exhibition (Moscow, 1991) as well as throughout Ghana."
Ashong first paints his design onto cotton fabric with hot wax, covering the areas he does not wish to dye. When the fabric is crumpled into the dying solution, the wax cracks, creating an attractive network of fine lines. The wax is removed and the process is repeated for each color utilized.
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