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Signed Naif Painting of Two Villagers 2019 'Fishing' Item ID: 2669889253
$827.99-1+
This is your own listing item.
"Says Balinese artist Made Surita, 'A mother with her son are carrying fish caught by her husband. The fish will be cooked for their meals and some of them are also to be sold. That is one role of a mother in a family.' He paints this scene in a charming naif style, capturing the duo against a Balinese landscape lush with trees, grasses, and a river.
Titled Hasil Tangkapan in Balinese."
- 1.76 lbs
- 31.5 inches W x 21.8 inches H
- Acrylic on canvas
- Arrives unframed
- Signed by the artist
- Unstretched
Made in Indonesia
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"I was born July 27, 1951 in the village of Payangan. My father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, I started to draw zealously, picturing nature and people with cult functions.
"In 1968 I enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, I was able to finance my study through the paintings I was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped me master batik techniques.
"The years between 1971 and 1988 represented a period of doubt for me, a quest for my own soul. From time to time I sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, I eventually discovered my own personal painting style based on Balinese culture.
"A style of my own? I discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.
"Elements of both styles were subordinated to my own subject matter – the culture of Bali or daily life as it is determined by religion. In my most recent paintings, I link up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and my technical finish to the traditional Ubud style."
Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).
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"I was born July 27, 1951 in the village of Payangan. My father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, I started to draw zealously, picturing nature and people with cult functions.
"In 1968 I enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, I was able to finance my study through the paintings I was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped me master batik techniques.
"The years between 1971 and 1988 represented a period of doubt for me, a quest for my own soul. From time to time I sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, I eventually discovered my own personal painting style based on Balinese culture.
"A style of my own? I discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.
"Elements of both styles were subordinated to my own subject matter – the culture of Bali or daily life as it is determined by religion. In my most recent paintings, I link up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and my technical finish to the traditional Ubud style."
Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).
Read full story →
Made Surita
"I was born July 27, 1951 in the village of Payangan. My father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, I started to draw zealously, picturing nature and people with cult functions.
"In 1968 I enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, I was able to finance my study through the paintings I was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped me master batik techniques.
"The years between 1971 and 1988 represented a period of doubt for me, a quest for my own soul. From time to time I sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, I eventually discovered my own personal painting style based on Balinese culture.
"A style of my own? I discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.
"Elements of both styles were subordinated to my own subject matter – the culture of Bali or daily life as it is determined by religion. In my most recent paintings, I link up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and my technical finish to the traditional Ubud style."
Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).
"In 1968 I enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, I was able to finance my study through the paintings I was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped me master batik techniques.
"The years between 1971 and 1988 represented a period of doubt for me, a quest for my own soul. From time to time I sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, I eventually discovered my own personal painting style based on Balinese culture.
"A style of my own? I discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.
"Elements of both styles were subordinated to my own subject matter – the culture of Bali or daily life as it is determined by religion. In my most recent paintings, I link up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and my technical finish to the traditional Ubud style."
Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).

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Come with us on a journey to the magical Indonesian islands of Bali & Java, where artistry is a way of life, and soothing tropical vibes ease away all stress and tension. These lands are famous for intricate wood carvings, divine silversmith work, and Batik designs that transport you to another time.
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