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Ivoirian wood mask 'King Who Loves Peace' Item ID: 2671806928
$87.99Selected variation not available
This is your own listing item.
"Horns crown the narrow face of an African king. Carved with only hand tools from naturally-dried sese wood, the piece slopes dramatically from a smooth forehead to a pointed chin; a slim nose elongates the visage. Designer Nana Adu Amankwapam commemorates Tufu Baule, king of the Baoule people of Cote d'Ivoire. Known as a peace lover, Tufu's portrait masks are often displayed in homes."
- 2.12 lb
- 16.3 inches H x 5 inches W x 3.2 inches D
- 1.32 lbs
- 16.3 inches H x 5 inches W x 3.2 inches D
- Sese wood
- brass and copper wire
- CA Residents: <img src="/2015/assets/images/icon/bw6pt.png" width="18" height="14"> <a href="/2015/assets/images/icon/p65.jpg" target="_blank">Prop 65 Warning</a>
Made in Ghana
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Born into the Asona royal family on January 5, 1949, Amankwapam received his General School Certificate in 1970. Between 1970 and 1973, he read for a degree in accounting and today is a fellow of the Institute of Administrative Accountants and a member of the Institute of Accounting Technicians.
Amankwapam's forcefulness and leadership qualities have made him the inspiration of young and old. It has been his vision that the unemployed be trained and aided to improve their standard of living; he set up training workshops for youth in handicraft production. This includes carving, making and collecting beads, weaving Adinkra cloth and crafting cane furniture, mainly for the export market. He aspires to open two more such workshops so that Ghana's rich handicraft tradition can be shown to the world.
Nana Adu Amankwapam I hand-carved wood art and drums
Born into the Asona royal family on January 5, 1949, Amankwapam received his General School Certificate in 1970. Between 1970 and 1973, he read for a degree in accounting and today is a fellow of the Institute of Administrative Accountants and a member of the Institute of Accounting Technicians.
Amankwapam's forcefulness and leadership qualities have made him the inspiration of young and old. It has been his vision that the unemployed be trained and aided to improve their standard of living; he set up training workshops for youth in handicraft production. This includes carving, making and collecting beads, weaving Adinkra cloth and crafting cane furniture, mainly for the export market. He aspires to open two more such workshops so that Ghana's rich handicraft tradition can be shown to the world.
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