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Handwoven Geometric-Patterned Warm-Toned Cotton Belt 'Qori Lady' Item ID: 2671697916
$87.99 $87.99 $87.99 $87.99
Please select Size
Size
- L
- M
- S
-1+
This is your own listing item.
"In the ancient Inca empire, those with radiant beauty were known as qori, meaning 'golden lady' in the Quechua language. Inspired by those times of splendor, artisan Paul Lopez of Peru works with cotton yarns to create this woven belt, whose classic geometric pattern combines yellow, orange and purple hues on an ivory base tone, imitating a harmonious morning."
- 0.43 lb
- S: 30 inches L x 2 inches W,S: 24.5 inches L,S: 2.4 inches L,S: 30 inches L x 2 inches W,S: 24.5 inches L,S: 2.4 inches L,S: 30 inches L x 2 inches W,S: 24.5 inches L,S: 2.4 inches L,M: 32 inches L x 2 inches W,M: 26.5 inches L,M: 2.4 inches L,M: 32 inches L x 2 inches W,M: 26.5 inches L,M: 2.4 inches L,M: 32 inches L x 2 inches W,M: 26.5 inches L,M: 2.4 inches L,L: 37 inches L x 2 inches W,L: 31 inches L,L: 2.4 inches L,L: 37 inches L x 2 inches W,L: 31 inches L,L: 2.4 inches L,L: 37 inches L x 2 inches W,L: 31 inches L,L: 2.4 inches L
- 0.14 lbs
- S: 30 inches L x 2 inches W
- S: 24.5 inches L
- S: 2.4 inches L
- S: 30 inches L x 2 inches W
- S: 24.5 inches L
- S: 2.4 inches L
- S: 30 inches L x 2 inches W
- S: 24.5 inches L
- S: 2.4 inches L
- M: 32 inches L x 2 inches W
- M: 26.5 inches L
- M: 2.4 inches L
- M: 32 inches L x 2 inches W
- M: 26.5 inches L
- M: 2.4 inches L
- M: 32 inches L x 2 inches W
- M: 26.5 inches L
- M: 2.4 inches L
- L: 37 inches L x 2 inches W
- L: 31 inches L
- L: 2.4 inches L
- L: 37 inches L x 2 inches W
- L: 31 inches L
- L: 2.4 inches L
- L: 37 inches L x 2 inches W
- L: 31 inches L
- L: 2.4 inches L
- 100% cotton
- Features a tie closure
- Hand-crafted item -- color
- size and/or motif may vary slightly
- Lay flat to dry
- Machine wash on gentle cycle
Made in Peru
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I was born in the city of Cuzco, and my parents are Sebastian Lopez and Benita Cutipa Lopez [a Novica featured artisan], pioneers in the field of knitted textiles. I grew up amid art and wool while my parents invented new ways to create beautiful fashions from alpaca wool. For 15 years I lived with the art of my family, and found myself increasingly attracted to their projects.
I eventually went off to Lima to study. Growing up as I did, I found myself naturally inclined toward the textile arts, and so I decided to major in fashion design. Thanks to my family, I was able to travel to London after graduation, where I specialized in fashion design at the Marangoni Institute, a highly-regarded fashion design school in Milan and London.
I returned to Peru and worked at creating a new line of clothing. My goals are the same as my parents, to create art with fine wool and to provide jobs for the people of my town, for whom I feel a deep respect and appreciation. My parents' objectives were not only about money. When I was growing up, Peru was going through a crisis in economics and national security. Terrorism was the greatest threat to economic growth.
My greatest satisfaction as a professional person was to work as the head of production for the Proyecto Cluster Artesanal de Puno, a project sponsored by the Peruvian government and the Lima Association of Exporters. Its goal was to link small workshops or groups of artisans with exporters who could market their work. It was there that I became aware of the reality of the artisans. We were able to organize business sessions and fashion shows to demonstrate the potential of alpaca garments. I no longer work with this project but I was able to generate support for many workshops while there, and this gives me great personal satisfaction.
Today I work as a textile designer in alpaca wool, developing new fashion collections. And I work together with my parents in the crafting of alpaca wool clothing.
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I was born in the city of Cuzco, and my parents are Sebastian Lopez and Benita Cutipa Lopez [a Novica featured artisan], pioneers in the field of knitted textiles. I grew up amid art and wool while my parents invented new ways to create beautiful fashions from alpaca wool. For 15 years I lived with the art of my family, and found myself increasingly attracted to their projects.
I eventually went off to Lima to study. Growing up as I did, I found myself naturally inclined toward the textile arts, and so I decided to major in fashion design. Thanks to my family, I was able to travel to London after graduation, where I specialized in fashion design at the Marangoni Institute, a highly-regarded fashion design school in Milan and London.
I returned to Peru and worked at creating a new line of clothing. My goals are the same as my parents, to create art with fine wool and to provide jobs for the people of my town, for whom I feel a deep respect and appreciation. My parents' objectives were not only about money. When I was growing up, Peru was going through a crisis in economics and national security. Terrorism was the greatest threat to economic growth.
My greatest satisfaction as a professional person was to work as the head of production for the Proyecto Cluster Artesanal de Puno, a project sponsored by the Peruvian government and the Lima Association of Exporters. Its goal was to link small workshops or groups of artisans with exporters who could market their work. It was there that I became aware of the reality of the artisans. We were able to organize business sessions and fashion shows to demonstrate the potential of alpaca garments. I no longer work with this project but I was able to generate support for many workshops while there, and this gives me great personal satisfaction.
Today I work as a textile designer in alpaca wool, developing new fashion collections. And I work together with my parents in the crafting of alpaca wool clothing.
Read full story →
Paul Lopez
I was born in the city of Cuzco, and my parents are Sebastian Lopez and Benita Cutipa Lopez [a Novica featured artisan], pioneers in the field of knitted textiles. I grew up amid art and wool while my parents invented new ways to create beautiful fashions from alpaca wool. For 15 years I lived with the art of my family, and found myself increasingly attracted to their projects.
I eventually went off to Lima to study. Growing up as I did, I found myself naturally inclined toward the textile arts, and so I decided to major in fashion design. Thanks to my family, I was able to travel to London after graduation, where I specialized in fashion design at the Marangoni Institute, a highly-regarded fashion design school in Milan and London.
I returned to Peru and worked at creating a new line of clothing. My goals are the same as my parents, to create art with fine wool and to provide jobs for the people of my town, for whom I feel a deep respect and appreciation. My parents' objectives were not only about money. When I was growing up, Peru was going through a crisis in economics and national security. Terrorism was the greatest threat to economic growth.
My greatest satisfaction as a professional person was to work as the head of production for the Proyecto Cluster Artesanal de Puno, a project sponsored by the Peruvian government and the Lima Association of Exporters. Its goal was to link small workshops or groups of artisans with exporters who could market their work. It was there that I became aware of the reality of the artisans. We were able to organize business sessions and fashion shows to demonstrate the potential of alpaca garments. I no longer work with this project but I was able to generate support for many workshops while there, and this gives me great personal satisfaction.
Today I work as a textile designer in alpaca wool, developing new fashion collections. And I work together with my parents in the crafting of alpaca wool clothing.
I eventually went off to Lima to study. Growing up as I did, I found myself naturally inclined toward the textile arts, and so I decided to major in fashion design. Thanks to my family, I was able to travel to London after graduation, where I specialized in fashion design at the Marangoni Institute, a highly-regarded fashion design school in Milan and London.
I returned to Peru and worked at creating a new line of clothing. My goals are the same as my parents, to create art with fine wool and to provide jobs for the people of my town, for whom I feel a deep respect and appreciation. My parents' objectives were not only about money. When I was growing up, Peru was going through a crisis in economics and national security. Terrorism was the greatest threat to economic growth.
My greatest satisfaction as a professional person was to work as the head of production for the Proyecto Cluster Artesanal de Puno, a project sponsored by the Peruvian government and the Lima Association of Exporters. Its goal was to link small workshops or groups of artisans with exporters who could market their work. It was there that I became aware of the reality of the artisans. We were able to organize business sessions and fashion shows to demonstrate the potential of alpaca garments. I no longer work with this project but I was able to generate support for many workshops while there, and this gives me great personal satisfaction.
Today I work as a textile designer in alpaca wool, developing new fashion collections. And I work together with my parents in the crafting of alpaca wool clothing.

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