Fringed Bird-Themed Wool Tapestry Hand-Woven in Peru 'Childhood Dream' Item ID: 2671697909
$189This is your own listing item.
"Peru's David Laura Zanabria aptly calls his spectacular tapestry 'Childhood Dream' because it expresses 'my first impressions in the arts and crafts when I was around ten. Birds depicted with intense shades evoke a sense of mysticism when trying to understand where those small animals with their vibrant, colorful plumage came from. It is an entry into a timeless reality triggered by a childhood memory.' The captivating tapestry is hand-woven from wool in a cotton warp and exudes a contemporary style that will make it an instant centerpiece."
- 2.22 lb
- 23.5 inches W x 35 inches H,Fringe: 2.4 inches L
- 1.06 lbs
- 23.5 inches W x 35 inches H
- Fringe: 2.4 inches L
- 100% wool on cotton warp
- All natural dyes
- Display rod not included
- Hand-crafted item -- color
- size and/or motif may vary slightly
- Marked with artist's initials or trademark
Made in Peru
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My grandparents and parents were textile artisans, having cultivated this art from their predecessors, so my formation was essentially learned through observation. Nevertheless, I have taken textile courses on various occasions. My work deals with reviving our ancestral culture and linking it to the present while, at the same time, fulfilling a longing that I feel. I work in my workshop with my family and it's a full-time dedication. Through my art, I want to show the Andean people and our capacity to redeem the past.
In my work, I employ very select materials. My textile base is composed primarily of wool on a strong cotton warp, complemented by both natural and commercial dyes. As tools, I use a loom, which consists of a big wooden table designed for this type of work, and also combs and winding frames. Before weaving the tapestry, I draw the design on paper so it serves as a guide. Then, before translating it into wool, I complete the warping chain. During the weaving process I can change the design when it occurs to me that it can improve by moving the figures, and I use a wide spectrum of colors. Finally, I cut the borders and knot them so they don't come undone. My colors maintain their vivacity throughout time, in fact, the natural dyes are eternal. I'd like to mention that for the natural dyes, we ourselves cultivate the plants, including walnut, tare, molle and alder. Generally, I participate in regional fairs and sometimes in the capital.
I'd like to say that my work, in addition to its quality, is representative of my people and expresses the culture of my country. Each rug and tapestry is original and one of a kind.
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David Laura Zanabria wool rugs and tapestries
My grandparents and parents were textile artisans, having cultivated this art from their predecessors, so my formation was essentially learned through observation. Nevertheless, I have taken textile courses on various occasions. My work deals with reviving our ancestral culture and linking it to the present while, at the same time, fulfilling a longing that I feel. I work in my workshop with my family and it's a full-time dedication. Through my art, I want to show the Andean people and our capacity to redeem the past.
In my work, I employ very select materials. My textile base is composed primarily of wool on a strong cotton warp, complemented by both natural and commercial dyes. As tools, I use a loom, which consists of a big wooden table designed for this type of work, and also combs and winding frames. Before weaving the tapestry, I draw the design on paper so it serves as a guide. Then, before translating it into wool, I complete the warping chain. During the weaving process I can change the design when it occurs to me that it can improve by moving the figures, and I use a wide spectrum of colors. Finally, I cut the borders and knot them so they don't come undone. My colors maintain their vivacity throughout time, in fact, the natural dyes are eternal. I'd like to mention that for the natural dyes, we ourselves cultivate the plants, including walnut, tare, molle and alder. Generally, I participate in regional fairs and sometimes in the capital.
I'd like to say that my work, in addition to its quality, is representative of my people and expresses the culture of my country. Each rug and tapestry is original and one of a kind.
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