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Batik art 'Holiday Scene' Item ID: 2677062598
$159.99Selected variation not available
This is your own listing item.
"The mandates of tradition clearly stipulate there shall be no fishing on a Tuesday. Fishermen rest while their boats are aligned on the shore. Should someone set out to fish on that day, the wrath of the gods will befall him. 'Fishermen live by their own set of rules, and along Ghana's coastal area, Tuesday is the day they all rest,' explains Samuel Ashong. 'This day is set aside for mending nets and the maintenance of canoes.' Working with a fantasy of colors, Ashong executes this detailed scene in batik and presents it in a mat board passe-partout, ready for framing."
- 0.31 lbs
- Mat: 22 inches W x 26 inches H
- Artwork: 15.8 inches W x 20.8 inches H
- Batik on cotton
- Arrives unframed
- Mat included
- Signed by the artist
Made in Ghana
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Currently I have developed my own techniques in batik production, which are labeled as "textile paintings." Reactive dyes and paraffin wax constitute the principal materials in the execution of these textile paintings. My aim was to use other materials apart from oil paints, gouache, acrylics etc., to achieve the same or better effects than would be derived in paintings. The results have been marvelous and my works could not be compared with other batiks that are seen world-wide.
"My themes are mainly of women, beach scenes and landscapes. I try to depict the daily activities of women in Africa when they get married - household chores, market life and caring for children and husbands - as the many parts of their daily responsibilities. This is the beginning of the fight for equality for the African woman.
"I have exhibited my works in the Ghanaian Contemporary Art Exhibition, IFA Gallery (Bonn, Germany, 1987), the World Y.W.C.A Art and Craft Exhibition (Arizona, 1989), the Ghanaian Contemporary Art Exhibition (Moscow, 1991) as well as throughout Ghana."
Ashong first paints his design onto cotton fabric with hot wax, covering the areas he does not wish to dye. When the fabric is crumpled into the dying solution, the wax cracks, creating an attractive network of fine lines. The wax is removed and the process is repeated for each color utilized.
Samuel Ashong batik wall art
Currently I have developed my own techniques in batik production, which are labeled as "textile paintings." Reactive dyes and paraffin wax constitute the principal materials in the execution of these textile paintings. My aim was to use other materials apart from oil paints, gouache, acrylics etc., to achieve the same or better effects than would be derived in paintings. The results have been marvelous and my works could not be compared with other batiks that are seen world-wide.
"My themes are mainly of women, beach scenes and landscapes. I try to depict the daily activities of women in Africa when they get married - household chores, market life and caring for children and husbands - as the many parts of their daily responsibilities. This is the beginning of the fight for equality for the African woman.
"I have exhibited my works in the Ghanaian Contemporary Art Exhibition, IFA Gallery (Bonn, Germany, 1987), the World Y.W.C.A Art and Craft Exhibition (Arizona, 1989), the Ghanaian Contemporary Art Exhibition (Moscow, 1991) as well as throughout Ghana."
Ashong first paints his design onto cotton fabric with hot wax, covering the areas he does not wish to dye. When the fabric is crumpled into the dying solution, the wax cracks, creating an attractive network of fine lines. The wax is removed and the process is repeated for each color utilized.
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