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Artisan Crafted Metallic Wood Mask on Stand 'Communion' Item ID: 2671806781
$89.99-1+
Selected variation not available
This is your own listing item.
"With its demure gaze and beautiful ornamentation, this mask comes from northern Ghana. Such masks are representative of the Gonja and Mamprusi people. 'Most of their farmers and hunters send part of their first harvest to the chief's palace to be shared with the less fortunate in the community. In return, the chief presents this mask to each person as a sign of recognition and statesmanship,' says Evelyn Kafui Ahianyo. 'This piece encourages sharing and giving.' Her design is carved from African sese wood and displayed on an iron stand."
- 3.62 lb
- 15 inches H x 6.8 inches W x 2.4 inches D
- 1.30 lbs
- 15 inches H x 6.8 inches W x 2.4 inches D
- Sese wood
- aluminum
- iron stand
- CA Residents: <img src="/2015/assets/images/icon/bw6pt.png" width="18" height="14"> <a href="/2015/assets/images/icon/p65.jpg" target="_blank">Prop 65 Warning</a>
- Display stand included
Made in Ghana
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"My ability to work with masks is inborn, and my greatest inspiration is to preserve our rich cultural heritage.
"I'm Evelyn Kafui Ahianyo, born in Accra on September 12, 1965. I have two sisters and a brother.
"My masks are unique because I use my knowledge in design with each one. Initially, I wasn't using lots of different materials, but now I use recycled glass and glass beads, aluminum, brass and more.
"I sit and draw the mask creatively, and come up with the colors that will make it stand out. I'm also good at observing nature and this comes to bear when I have to sit and come up with designs after the mask has been carved.
"Although my masks have cultural references, I try to enhance the looks. In Ghana, mask are seen to have spiritual beliefs attached to them, so most people wouldn't like to even hold them. But with the new coloring and designs, people are now comfortable with masks and are ready to learn more about the history associated with them."
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Evelyn Kafui Ahianyo
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"My ability to work with masks is inborn, and my greatest inspiration is to preserve our rich cultural heritage.
"I'm Evelyn Kafui Ahianyo, born in Accra on September 12, 1965. I have two sisters and a brother.
"My masks are unique because I use my knowledge in design with each one. Initially, I wasn't using lots of different materials, but now I use recycled glass and glass beads, aluminum, brass and more.
"I sit and draw the mask creatively, and come up with the colors that will make it stand out. I'm also good at observing nature and this comes to bear when I have to sit and come up with designs after the mask has been carved.
"Although my masks have cultural references, I try to enhance the looks. In Ghana, mask are seen to have spiritual beliefs attached to them, so most people wouldn't like to even hold them. But with the new coloring and designs, people are now comfortable with masks and are ready to learn more about the history associated with them."
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Evelyn Kafui Ahianyo African masks
"My ability to work with masks is inborn, and my greatest inspiration is to preserve our rich cultural heritage.
"I'm Evelyn Kafui Ahianyo, born in Accra on September 12, 1965. I have two sisters and a brother.
"My masks are unique because I use my knowledge in design with each one. Initially, I wasn't using lots of different materials, but now I use recycled glass and glass beads, aluminum, brass and more.
"I sit and draw the mask creatively, and come up with the colors that will make it stand out. I'm also good at observing nature and this comes to bear when I have to sit and come up with designs after the mask has been carved.
"Although my masks have cultural references, I try to enhance the looks. In Ghana, mask are seen to have spiritual beliefs attached to them, so most people wouldn't like to even hold them. But with the new coloring and designs, people are now comfortable with masks and are ready to learn more about the history associated with them."
"I'm Evelyn Kafui Ahianyo, born in Accra on September 12, 1965. I have two sisters and a brother.
"My masks are unique because I use my knowledge in design with each one. Initially, I wasn't using lots of different materials, but now I use recycled glass and glass beads, aluminum, brass and more.
"I sit and draw the mask creatively, and come up with the colors that will make it stand out. I'm also good at observing nature and this comes to bear when I have to sit and come up with designs after the mask has been carved.
"Although my masks have cultural references, I try to enhance the looks. In Ghana, mask are seen to have spiritual beliefs attached to them, so most people wouldn't like to even hold them. But with the new coloring and designs, people are now comfortable with masks and are ready to learn more about the history associated with them."

Africa Artisan Empowerment Hub
The traditional arts are a vibrant aspect of everyday life in West Africa. From richly intricate handwoven kente cloth fabrics, to intricately colorful beaded arts, ceremonial masks, and exquisite jewelry, to traditional throne-stools hand-carved for customers by the Ashanti king's actual chief carver, artisans proudly offer their region's finest handmade works of art.
Maker BadgeEmpowering Women
The Women's Empowerment badge is awarded to female artisans or artisan groups that are led by women.
Maker BadgeJob Creator
This artist positively impacts their community through job creation and provides jobs for 2 or more people.
Maker BadgeMoving On Up
This artist has dramatically improved their livelihood by working with NOVICA.
Maker BadgePreserving Traditions
This artist uses traditional techniques handed down through the generations and/or creates culturally significant items, helping keep these traditions alive.
Maker BadgeProfound Impact
Every purchase from this artist has a profound impact on their livelihood and income.
Maker BadgeMicrocredit Financing
Evelyn Kafui Ahianyo has received 9 microcredit loans with 0% interest from Kiva and Novica, the first for $900 and the most recent for $1000. Proceeds were used to invest in a purchase of wood, metal plates and paints to increase production.
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