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Lapis Lazuli Beaded Pendant Anklet with Seahorse Charm 'Royal Seahorse' Item ID: 2669919665
$49.99-1+
This is your own listing item.
"Symbols of royalty and intellect, lapis lazuli jewels have always added elegance to any accessory. This time, they are present in Peruvian artisan Jael Serna's newest design, forming a sublime beaded pendant anklet with a sterling silver seahorse charm dangling gracefully from the piece. As the final touch, a handy sliding knot allows you to adjust the length."
- 0.11 oz
- 8.3 inches L x 11 inches W x 0.2 inches D
- Charm(s): 0.9 inches L x 0.3 inches W x 0.1 inches D
- 925 sterling silver
- lapis lazuli
- nylon cord
- Combination finish
- Length is adjustable
- Natural stone -- color and variegation will vary
- Sliding knot
Made in Peru
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"I'm proactive, kind and have a great artistic sensitivity. I was born in Lima in 1975.
"My life hasn't been easy at all. In fact, life was complicated during the period of terrorism and civil war that devastated Peru. I felt like I had no future. For me, this was a very dark time with few opportunities for young people like me.
"At times like that, you need to keep a cool head and lay out the goals you hope to achieve. That's what I did and, little by little, I was able to overcome the difficulties.
"My plans and my future are based on my past. I hope to finish the degree in art and design that I started in 2013. I can say it's almost a dream come true. Then I hope to apply everything I've learned in handicrafts and, especially, jewelry where I hope for greater growth.
"In addition to jewelry, I'm interested in the handicrafts I loved when I was a teen. This was reinforced in my youth when I met a master artisan who lived nearby and I asked him to make a piece of jewelry for me. It didn't come out the way I'd requested and he made it over three times. I still didn't like the results — not for the technique but for the design. Finally, he asked me, 'Why don't you make it?'
"And that's when my story in the world of jewelry began.
"When I crafted my first designs, I knew this was what I wanted to do. I wanted to design and develop jewelry. This art lets me express the images in my mind and in my heart. It gives me the freedom to work with such a malleable material. Shaping it and achieving the designs I want is most gratifying.
"When I first began, I studied with Teofilo Salazar from Cajamarca, but then I enrolled in a school in Callao where I learned basic jewelry. As soon as I finished, I was asked to teach a summer course there. It was so well-accepted, I taught it for two years.
"Then I retired because I'd rather create jewelry and be able to develop my own designs. This is my true passion.
"To become a master jeweler, I had to learn more. The basics weren't enough so I began to look for workshops so I could increase my skills. I found that studying is very different from learning in an actual workshop. I worked in some seven jewelry studios in a lapse of five years, alternating with filling small orders I was taking. These years helped me so much! I learned many different techniques and increased my speed. I still apply these techniques.
"I especially like how easy Andean silver is to work with and that I can create my designs in a material everyone can use.
"The trickiest part is soldering the silver, but the entire crafting process requires a lot of attention to create a design that brings joy to its wearer.
"I'm inspired by the things I see around me, by situations and experiences and by my feelings. In all my work, I try to share a memory of mine using Peruvian silver and gemstones."
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Jael Serna
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"I'm proactive, kind and have a great artistic sensitivity. I was born in Lima in 1975.
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Jael Serna handcrafted sterling silver and gemstone jewelry
"I'm proactive, kind and have a great artistic sensitivity. I was born in Lima in 1975.
"My life hasn't been easy at all. In fact, life was complicated during the period of terrorism and civil war that devastated Peru. I felt like I had no future. For me, this was a very dark time with few opportunities for young people like me.
"At times like that, you need to keep a cool head and lay out the goals you hope to achieve. That's what I did and, little by little, I was able to overcome the difficulties.
"My plans and my future are based on my past. I hope to finish the degree in art and design that I started in 2013. I can say it's almost a dream come true. Then I hope to apply everything I've learned in handicrafts and, especially, jewelry where I hope for greater growth.
"In addition to jewelry, I'm interested in the handicrafts I loved when I was a teen. This was reinforced in my youth when I met a master artisan who lived nearby and I asked him to make a piece of jewelry for me. It didn't come out the way I'd requested and he made it over three times. I still didn't like the results — not for the technique but for the design. Finally, he asked me, 'Why don't you make it?'
"And that's when my story in the world of jewelry began.
"When I crafted my first designs, I knew this was what I wanted to do. I wanted to design and develop jewelry. This art lets me express the images in my mind and in my heart. It gives me the freedom to work with such a malleable material. Shaping it and achieving the designs I want is most gratifying.
"When I first began, I studied with Teofilo Salazar from Cajamarca, but then I enrolled in a school in Callao where I learned basic jewelry. As soon as I finished, I was asked to teach a summer course there. It was so well-accepted, I taught it for two years.
"Then I retired because I'd rather create jewelry and be able to develop my own designs. This is my true passion.
"To become a master jeweler, I had to learn more. The basics weren't enough so I began to look for workshops so I could increase my skills. I found that studying is very different from learning in an actual workshop. I worked in some seven jewelry studios in a lapse of five years, alternating with filling small orders I was taking. These years helped me so much! I learned many different techniques and increased my speed. I still apply these techniques.
"I especially like how easy Andean silver is to work with and that I can create my designs in a material everyone can use.
"The trickiest part is soldering the silver, but the entire crafting process requires a lot of attention to create a design that brings joy to its wearer.
"I'm inspired by the things I see around me, by situations and experiences and by my feelings. In all my work, I try to share a memory of mine using Peruvian silver and gemstones."
"My life hasn't been easy at all. In fact, life was complicated during the period of terrorism and civil war that devastated Peru. I felt like I had no future. For me, this was a very dark time with few opportunities for young people like me.
"At times like that, you need to keep a cool head and lay out the goals you hope to achieve. That's what I did and, little by little, I was able to overcome the difficulties.
"My plans and my future are based on my past. I hope to finish the degree in art and design that I started in 2013. I can say it's almost a dream come true. Then I hope to apply everything I've learned in handicrafts and, especially, jewelry where I hope for greater growth.
"In addition to jewelry, I'm interested in the handicrafts I loved when I was a teen. This was reinforced in my youth when I met a master artisan who lived nearby and I asked him to make a piece of jewelry for me. It didn't come out the way I'd requested and he made it over three times. I still didn't like the results — not for the technique but for the design. Finally, he asked me, 'Why don't you make it?'
"And that's when my story in the world of jewelry began.
"When I crafted my first designs, I knew this was what I wanted to do. I wanted to design and develop jewelry. This art lets me express the images in my mind and in my heart. It gives me the freedom to work with such a malleable material. Shaping it and achieving the designs I want is most gratifying.
"When I first began, I studied with Teofilo Salazar from Cajamarca, but then I enrolled in a school in Callao where I learned basic jewelry. As soon as I finished, I was asked to teach a summer course there. It was so well-accepted, I taught it for two years.
"Then I retired because I'd rather create jewelry and be able to develop my own designs. This is my true passion.
"To become a master jeweler, I had to learn more. The basics weren't enough so I began to look for workshops so I could increase my skills. I found that studying is very different from learning in an actual workshop. I worked in some seven jewelry studios in a lapse of five years, alternating with filling small orders I was taking. These years helped me so much! I learned many different techniques and increased my speed. I still apply these techniques.
"I especially like how easy Andean silver is to work with and that I can create my designs in a material everyone can use.
"The trickiest part is soldering the silver, but the entire crafting process requires a lot of attention to create a design that brings joy to its wearer.
"I'm inspired by the things I see around me, by situations and experiences and by my feelings. In all my work, I try to share a memory of mine using Peruvian silver and gemstones."

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Explore the Andes region, once home to the Inca, Wari, Chavin and other ancient empires. Today, the influences of these ancient civilizations can be found in the artistic handicraft traditions that artisans use to create the vast array of jewelry, home furnishings, pottery, textiles, paintings and folk art that preserve the diverse, complex heritage of this colorful Latin land.
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