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Handwoven Cotton Table Runner with Zigzag Patterns 'Bright Night' Item ID: 2669892119
$69.99Currently not available
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This is your own listing item.
- 0.67 lbs
- 82 inches L x 14 inches W
- Fringe: 2 inches L
- 100% cotton
- Dry on low heat cycle
- Hand-crafted item -- color
- size and/or motif may vary slightly
- Machine wash separately in cold water
Made in Guatemala
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"I was born in a beautiful Maya village where we speak Kaqchiquel rather than Spanish. When I was born, my dad wasn't there and, when he arrived, everyone was scared to tell him his wife had given birth to a girl. See, his father had only wanted boys, never girls, and everyone thought he'd be the same. So when they took him to see me, he just picked me up in his loving arms and everyone realized dad was simply not like my grandfather!
"I was a very fortunate little girl because my parents let me go to school – not many girls were allowed to go and many of my relatives disapproved of me going to school.
"Mother contributed to the family finances by weaving, and my four siblings and I helped her out in the afternoons, when we got back from school. That's how I began to weave when I was eight years old – the first thing I wove was a napkin! In fact that's what many mothers taught their daughters to weave because it isn't regarded as an 'important' thing and mistakes can hardly be noticed. However I was so very proud of what I had done I kept showing it off every time we had visitors.
"Then I worked on a huipil blouse and I wore it out so much it became unwearable. And so I continued to weave, turning this art form into my life. I love this art because it represents my past and my present. Through our textiles, we communicate our cultural values. I love to weave because it also represents the work of many women who use it to express themselves.
"Preserving this beautiful artistic tradition has become a challenge since young women don't seem to be interested in weaving, so we need to promote it or else it will die out.
"My identity is woven into this art and I love it. I feel accomplished when I help others to weave, let them preserve their own identity in their themes, as well as find a way to earn and provide for their families.
"For 16 years, I worked for an organization that supported women weavers and, in 2012, I began working on my own – it's not been easy, it's a challenge. But it comes with many rewards.
"Every design I make tells a story, and it's about our ancestors. It tells of our traditions and customs. Then we all weave together. I love it when we all share ideas and develop our own creativity.
"I dream of having my own workshop and that it's so big that we can offer work to many women, and that my children learn this lesson – always share the best of you. I hope to see more families reintegrate and I can contribute to this by creating jobs so people don't have to emigrate.
"Many thanks to all of you for selecting our work. Each represents an opportunity to improve our lives."
11 Reviews for
Mirian Otzin
February 11, 2020
J
Jodie
It is so beautiful. The craftmanship is gorgeous! I love using this as my traveling bag. I have received many compliments. I make sure to advertise where I purchased.
Reviewed itemOctober 18, 2019
R
Robin
This is beautiful and well made. Truly done by an artisan and looks it. Impressive.
Reviewed itemFebruary 5, 2019
C
Catherine
Mirian has out done herself. This is not only beautiful (the pictures don't do it justice), but it is crafted wonderfully as well. You can believe it's beauty until you see it in person an touch it. Thank you for sharing your talents with others Mirian.Cathy
Reviewed itemNovember 21, 2022
C
Carolyn
My youngest daughter was going back to grad school and loves things from indigenous artists. I thought this expressed her uniqueness. The pattern and colors on the backpack are unique. It was also very sturdy to be able to hold books. She uses it and makes it an integral part of her everyday use of it.
Reviewed itemNovember 10, 2022
J
Joy
This is a great backpack for going on long walks. Looks great, lots of room and light
Reviewed itemJuly 5, 2022
L
Lisa
I was so happy to receive this beautiful backpack! The craftsmanship is fantastic and the colors are so vibrant. I absolutely love it! It is a good size and has plenty of room to hold all my belongings. The pocket in front is spacious enough and the interior pocket is great for your smaller items. Definitely recommend to anyone wanting a great looking backpack. Mirian Otzin, you are truly a talent... read more
Reviewed itemMay 4, 2022
K
Karen
Lovely design and workmanship. Just what I needed, and more. Truly a gem.
Reviewed itemAugust 4, 2023
P
Peggy
This runner and matching placemats with napkins are simply stunning. The add a note of simple elegance to my dining table.
Reviewed itemOctober 17, 2021
I
Indu
Love the design and colors. The purse feels sturdy and secure.
Reviewed itemAugust 24, 2021
S
Susan
This is very well made; it seems like it will hold up to wear. The plastic lining inside is very sturdy. The surprise is that it has 2 zippers and compartments, the main one on the top and one on the side with its own little compartment. So handy!
Reviewed itemJuly 5, 2022
L
Lisa
I was so happy to receive this beautiful backpack! The craftsmanship is fantastic and the colors are so vibrant. I absolutely love it! It is a good size and has plenty of room to hold all my belongings. The pocket in front is spacious enough and the interior pocket is great for your smaller items. Definitely recommend to anyone wanting a great looking backpack. Mirian Otzin, you are truly a talented artisan!
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"I was born in a beautiful Maya village where we speak Kaqchiquel rather than Spanish. When I was born, my dad wasn't there and, when he arrived, everyone was scared to tell him his wife had given birth to a girl. See, his father had only wanted boys, never girls, and everyone thought he'd be the same. So when they took him to see me, he just picked me up in his loving arms and everyone realized dad was simply not like my grandfather!
"I was a very fortunate little girl because my parents let me go to school – not many girls were allowed to go and many of my relatives disapproved of me going to school.
"Mother contributed to the family finances by weaving, and my four siblings and I helped her out in the afternoons, when we got back from school. That's how I began to weave when I was eight years old – the first thing I wove was a napkin! In fact that's what many mothers taught their daughters to weave because it isn't regarded as an 'important' thing and mistakes can hardly be noticed. However I was so very proud of what I had done I kept showing it off every time we had visitors.
"Then I worked on a huipil blouse and I wore it out so much it became unwearable. And so I continued to weave, turning this art form into my life. I love this art because it represents my past and my present. Through our textiles, we communicate our cultural values. I love to weave because it also represents the work of many women who use it to express themselves.
"Preserving this beautiful artistic tradition has become a challenge since young women don't seem to be interested in weaving, so we need to promote it or else it will die out.
"My identity is woven into this art and I love it. I feel accomplished when I help others to weave, let them preserve their own identity in their themes, as well as find a way to earn and provide for their families.
"For 16 years, I worked for an organization that supported women weavers and, in 2012, I began working on my own – it's not been easy, it's a challenge. But it comes with many rewards.
"Every design I make tells a story, and it's about our ancestors. It tells of our traditions and customs. Then we all weave together. I love it when we all share ideas and develop our own creativity.
"I dream of having my own workshop and that it's so big that we can offer work to many women, and that my children learn this lesson – always share the best of you. I hope to see more families reintegrate and I can contribute to this by creating jobs so people don't have to emigrate.
"Many thanks to all of you for selecting our work. Each represents an opportunity to improve our lives."
Read full story →
Following
Mirian Otzin handwoven handbags and home decor
"I was born in a beautiful Maya village where we speak Kaqchiquel rather than Spanish. When I was born, my dad wasn't there and, when he arrived, everyone was scared to tell him his wife had given birth to a girl. See, his father had only wanted boys, never girls, and everyone thought he'd be the same. So when they took him to see me, he just picked me up in his loving arms and everyone realized dad was simply not like my grandfather!
"I was a very fortunate little girl because my parents let me go to school – not many girls were allowed to go and many of my relatives disapproved of me going to school.
"Mother contributed to the family finances by weaving, and my four siblings and I helped her out in the afternoons, when we got back from school. That's how I began to weave when I was eight years old – the first thing I wove was a napkin! In fact that's what many mothers taught their daughters to weave because it isn't regarded as an 'important' thing and mistakes can hardly be noticed. However I was so very proud of what I had done I kept showing it off every time we had visitors.
"Then I worked on a huipil blouse and I wore it out so much it became unwearable. And so I continued to weave, turning this art form into my life. I love this art because it represents my past and my present. Through our textiles, we communicate our cultural values. I love to weave because it also represents the work of many women who use it to express themselves.
"Preserving this beautiful artistic tradition has become a challenge since young women don't seem to be interested in weaving, so we need to promote it or else it will die out.
"My identity is woven into this art and I love it. I feel accomplished when I help others to weave, let them preserve their own identity in their themes, as well as find a way to earn and provide for their families.
"For 16 years, I worked for an organization that supported women weavers and, in 2012, I began working on my own – it's not been easy, it's a challenge. But it comes with many rewards.
"Every design I make tells a story, and it's about our ancestors. It tells of our traditions and customs. Then we all weave together. I love it when we all share ideas and develop our own creativity.
"I dream of having my own workshop and that it's so big that we can offer work to many women, and that my children learn this lesson – always share the best of you. I hope to see more families reintegrate and I can contribute to this by creating jobs so people don't have to emigrate.
"Many thanks to all of you for selecting our work. Each represents an opportunity to improve our lives."
"I was a very fortunate little girl because my parents let me go to school – not many girls were allowed to go and many of my relatives disapproved of me going to school.
"Mother contributed to the family finances by weaving, and my four siblings and I helped her out in the afternoons, when we got back from school. That's how I began to weave when I was eight years old – the first thing I wove was a napkin! In fact that's what many mothers taught their daughters to weave because it isn't regarded as an 'important' thing and mistakes can hardly be noticed. However I was so very proud of what I had done I kept showing it off every time we had visitors.
"Then I worked on a huipil blouse and I wore it out so much it became unwearable. And so I continued to weave, turning this art form into my life. I love this art because it represents my past and my present. Through our textiles, we communicate our cultural values. I love to weave because it also represents the work of many women who use it to express themselves.
"Preserving this beautiful artistic tradition has become a challenge since young women don't seem to be interested in weaving, so we need to promote it or else it will die out.
"My identity is woven into this art and I love it. I feel accomplished when I help others to weave, let them preserve their own identity in their themes, as well as find a way to earn and provide for their families.
"For 16 years, I worked for an organization that supported women weavers and, in 2012, I began working on my own – it's not been easy, it's a challenge. But it comes with many rewards.
"Every design I make tells a story, and it's about our ancestors. It tells of our traditions and customs. Then we all weave together. I love it when we all share ideas and develop our own creativity.
"I dream of having my own workshop and that it's so big that we can offer work to many women, and that my children learn this lesson – always share the best of you. I hope to see more families reintegrate and I can contribute to this by creating jobs so people don't have to emigrate.
"Many thanks to all of you for selecting our work. Each represents an opportunity to improve our lives."
Handmade: A Global Artisan Marketplace Guatemala City, Guatemala
Central America Artisan Empowerment Hub
Explore Central America. Rich rainforests and active volcanoes shelter the vestiges of the Mayan civilization that lives on in the languages and the arts of Central America. You'll discover the weaving traditions recorded on the backstrap looms, the glyphs and geometry that define the jewelry and pottery, and the vibrantly-painted folk art statues and masks among all the unique, handcrafted artisan treasures in our Central America Collection.
Maker BadgeCaring for Children
Mirian has two children that she supports, Julio and Ferando.
Maker BadgeEnabling Education
Both of her children are still in school and Mirian plans to continue to financially support their education.
Maker BadgeConfronting Adversity
Mirian is a strong and amazing women who has managed to overcome a horrible incident of sexual abuse. Her hard work and determination have made her the inspirational woman she is today.
Maker BadgeJob Creator
Mirian gives work to both women and men in her workshop.
Maker BadgePreserving Traditions
I love this art because it represents my past and my present. Through our weavings, we communicate our cultural values. Preserving this beautiful artistic tradition has become a challenge since young women don't seem to be interested in weaving, so we need to promote it or else it will die out. Mirian first learned how to weave from her mother, and wishes to inspire others and pass this tradition down to new generations.
Maker BadgeMoving On Up
Mirian has worked hard to create new designs which has led to the increase in her sales. Her perseverance and passion have helped her continuously expand and grow her weaving workshop.
Maker BadgeEmpowering Women
Mirian embodies our Women's Empowerment badge for the strength she has shown in the face of atrocity. I suffered a terrible incident of sexual abuse, but I survived and have moved past it, she confides. Mirian continues to inspire us with her resilience. When I was still a young girl, I learned the art of hand-weaving from my mother. I'm proud of preserving this ancient tradition and I'm passing it on to my children.
Maker BadgeElder Master
This artist is an elder master and continues to actively practice their craft.
Maker BadgeMicrocredit Financing
Mirian Otzin has received 2 microcredit loans with 0% interest from Kiva and Novica, the first for $200 and the most recent for $200.
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Handwoven Cotton Table Runner with Zigzag Patterns 'Bright Night'
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