Ceramic Fish Pencil Holder Hand-Painted in Mexico 'Handy Fish' Item ID: 2671807654
$47.99This is your own listing item.
"The traditional technique of high-temperature ceramic brings us this sweet pencil holder made by the Ken Edwards Workshop in Mexico. The artisans hand-paint this lovely fish in detail, which gives a playful touch to this gorgeous pencil holder that is also perfect as a home decoration."
- 2.73 lb
- 3.7 inches H x 2.4 inches W x 6.3 inches D
- 0.53 lbs
- 3.7 inches H x 2.4 inches W x 6.3 inches D
- Ceramic
- Hand-crafted item -- color
- size and/or motif may vary slightly
- Intended for display on a tabletop or other flat surface
Made in Mexico
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The clay mixture is known as "931 High." This refers to the number of tests carried out to achieve a mix that can be reduction fired at 1350 degrees C, thus completely eliminating any lead and giving the fired piece a sleek, glossy finish.
Edwards' knowledge and skill can be seen in each handmade stoneware design. Molds are made to ensure uniform sizes in his tableware. Other designs are shaped on the potter's wheel. They are left to dry before the first firing, which is called bisque.
They are then meticulously painted by hand with motifs designed by Joel and Ricardo, who have worked with Ken Edwards their entire professional lives. They work within carefully-defined parameters using colors and glazes with formulas developed there in the workshop.
Once the lovely bird and flower motifs are painted, the ceramics are fired a final time, again at 1350 degrees C, which gives them a beautiful shine.
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Ken Edwards Workshop
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Ken Edwards Workshop handcrafted stoneware ceramics and tableware
The clay mixture is known as "931 High." This refers to the number of tests carried out to achieve a mix that can be reduction fired at 1350 degrees C, thus completely eliminating any lead and giving the fired piece a sleek, glossy finish.
Edwards' knowledge and skill can be seen in each handmade stoneware design. Molds are made to ensure uniform sizes in his tableware. Other designs are shaped on the potter's wheel. They are left to dry before the first firing, which is called bisque.
They are then meticulously painted by hand with motifs designed by Joel and Ricardo, who have worked with Ken Edwards their entire professional lives. They work within carefully-defined parameters using colors and glazes with formulas developed there in the workshop.
Once the lovely bird and flower motifs are painted, the ceramics are fired a final time, again at 1350 degrees C, which gives them a beautiful shine.
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