Brown and White 100 Cotton Curtains from Oaxaca Pair 'Coffee and Milk' Item ID: 2671808358
$267This is your own listing item.
"The Central Valleys of Oaxaca have a rich tradition in weaving naturally-dyed fibers by hand on floor looms. These golden brown and white pleated cotton curtains are part this heritage, crafted by Cupertino Ruiz in a classic look. An opening along the top permits insertion of a curtain rod (not included)."
- 17.64 lb
- Each: 79 inches W x 79 inches H,3.9 inches L
- 6.39 lbs
- Each: 79 inches W x 79 inches H
- 3.9 inches L
- 100% cotton
- Hand wash in warm water
- Hand-crafted item -- color
- size and/or motif may vary slightly
Made in Mexico
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“I remember that from a very young age, I began to learn on the looms, seeing how the wool acquired its natural colors with the anilines or natural leaves that give color to the wool and then form such as bedspreads, curtains, rugs etc. It is not complicated, but it does require time, since sheep's wool as the main material involves different steps: from the shearing and the washing process to remove impurities, to spinning it and preparing it to be able to dye it, and finally placing it on the loom to be able to work it and obtain different designs. Each one of these carries a great artisanal process to achieve an ideal piece.
“My inspiration comes from what I see, and from my ancestral culture. This allows me to go beyond what I sometimes only visualize. I wish to continue working and that my art can be known by more people, preserving the family heritage that we currently continue to cultivate.”
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Cupertino Ruiz handwoven curtains and home decor
“I remember that from a very young age, I began to learn on the looms, seeing how the wool acquired its natural colors with the anilines or natural leaves that give color to the wool and then form such as bedspreads, curtains, rugs etc. It is not complicated, but it does require time, since sheep's wool as the main material involves different steps: from the shearing and the washing process to remove impurities, to spinning it and preparing it to be able to dye it, and finally placing it on the loom to be able to work it and obtain different designs. Each one of these carries a great artisanal process to achieve an ideal piece.
“My inspiration comes from what I see, and from my ancestral culture. This allows me to go beyond what I sometimes only visualize. I wish to continue working and that my art can be known by more people, preserving the family heritage that we currently continue to cultivate.”
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